One of the most beautiful postcards in Rio de Janeiro offers stunning views of the entire city. From Praia Vermelha, visitors take the first tram leading to the Urca hill, and from there a second cable car takes them to the top of the Sugarloaf hill, which is 396 metres from sea level. Different stories justify the name of this tourist spot; the most popular one says that during the 16th and 18th centuries, at the height of sugarcane production, producers stored sugar blocks in forms for export, and the similarity of the object to the Sugarloaf hill gave rise to the name. . Inaugurated in 1912, the Sugar Loaf Cable Car was the first cable car in Brazil and the third in the world, connecting the Morro da Urca to the Sugar Loaf Hill. Since then, over 40 million people have used the cable cars. From the top of the two hills, a breathtaking landscape of the city is revealed, including Botafogo Inlet, Copacabana waterfront and Guanabara Bay entrance. In summer, the amphitheatre located at the top of Morro da Urca is the stage for nightly shows and events, combining fun with a beautiful view of the city lights.

(External visit to the stadium) Scenario of the most important classics of Brazilian football Maracanã has also received historical moments of international football. Monumental facts, such as King Pelé's thousandth goal in 1969, also took place on the grounds of the temple of Brazilian football. Inaugurated on June 16, 1950, it has hosted World Cup games of that year and some 2014 World Cup matches, including the grand final. It also hosted the 2013 Confederations Cup games, the opening and closing ceremonies of the 2007 Pan American Games and, more recently, the 2016 Olympic Games and 2019 Copa America. In addition to sporting competitions, Maracanã has played host to important events. events such as Madonna shows, Rolling Stones twice, Paul McCartney, Tina Turner, Foo Fighters, Coldplay, and then Pope John Paul II's field masses in 1980 and 1997. Maracanã has undergone a major overhaul for the 2014 World Cup and currently has a capacity of 78,838 fans. The stadium has been modernised and today meets international safety, logistics and sustainability requirements. New bars and cafeterias provide more comfort for the public, which also has retractable chairs divided by colours and produced with certified materials, such as PET bottles. Divided into five levels and in the north, south, east and west sectors, Maracanã bets on divisions to facilitate access and location of fans. Gate, sector, block, level, row and chair are the subdivisions that will allow the fan to locate their seat with greater safety and comfort. There are seats for the obese, an area reserved for people with special needs and a tactile floor for the visually impaired.

The stage of the best show on earth. Here the main samba schools of Rio parade. Always with great luxury and originality, the parades bring news every year. Through the Sambódromo pass the most beautiful floats, incredible fantasies and unforgettable experiences for both the international and national tourists, as well as for the carioca people who come from the various areas of the city. Whether tourist or local, the revellers parade with joy or watch enchanted up close, in the friezes, stands, cabins etc.

Inaugurated in 1976, the São Sebastião Cathedral of Rio de Janeiro or Metropolitan Cathedral, as it is better known, is located in the city centre. The project is by modernist architect Edgar Oliveira da Fonseca, coordinated by Monsignor Ivo Antônio Calliari. With a capacity to house 20,000 fans, its 106 metres in diameter at the base and 96 metres in height draw attention by the cone-shaped structure. The main door is composed of 48 bas-relief bronze plates that address faith-related themes. The interior has 60-meter-high stained glass ripped from the walls to the dome, providing the church with beautiful natural light. In the basement, the Museum of Sacred Art features a collection of sculptures, murals, works of art, and the fonts used to baptize the princes of the royal family. Also on display are the statue of Our Lady of the Rosary, the throne of Peter II and the Golden Rose granted to Princess Isabel by Pope Leo XIII celebrating her signature of the Slavery Abolition Act in Brazil.

The Selarón Staircase is an architectural masterpiece located between the Santa Teresa and Lapa areas of Rio de Janeiro, Brazil, decorated by long-living Chilean artist Jorge Selarón, who declared it a "tribute to the Brazilian people" . The Selarón Staircase fills with colour one of the paths between the Lapa and Santa Teresa areas in Rio de Janeiro. The gigantic mosaic is the work of Chilean plastic artist Jorge Selarón, who began to devote himself to decorating the staircase in the early 1990s. With his continuous work, and his own resources, he left a gift for the city: the 250 steps between Joaquim Silva Street and Santa Teresa Convent became a monument and an icon of Rio. The Selarón Staircase has already travelled the world. It was the scene of clips, advertisements, fashion editorials. And the world is in the Selarón Staircase: among the more than 2,000 pieces that form its design, there are tiles from over 60 countries, many of them presented to the artist by tourists and fans of the work. After securing your selfies in Rio's most colourful scenery, be sure to take a closer look at the pieces that make up this mosaic.

It all starts with the electric locomotive, centennial and twice environmentally friendly. It does not pollute and crosses the preserved Atlantic forest, belonging to the Tijuca National Park. At the feet of Christ the Redeemer, one of the Seven New Wonders of the Modern World, the most beautiful view of the city, showing from above what Rio de Janeiro has to offer.

The famous Lapa Arches are part of Rio de Janeiro's history, beginning in the colonial period. The old Carioca Aqueduct, known as Arcos da Lapa, is one of the city's postcards, as well as being the most representative symbol of the Old River preserved in the bohemian Lapa region. The structure, in mortar stone, has a Romanesque style, whitewashed, has 42 double arches and glasses on the top. Arcos da Lapa is considered the largest architectural work undertaken in Brazil during the colonial period. Around you are two of the city's most important venues: Fundição Progresso and Circo Voador.